Monday, February 15, 2016

Mukunda Deva and Attack of Kalapahada - The black period of Jagannatha Temple

          The disastrous Bhoi dynasty was finally overthrown by Mukunda Deva Harichandana (1560-1568), a descendant from a Chalukya family. Mukunda Deva performed the Tulapurusha with gold and distributed it in charity, abolished the marriage tax and executed many public works, such as the building of the embankment on the road from Magra to the Triveni, still existing. Mukunda Deva also established 16 brahmana sasanas, the original villages of the brahmana families whose head members sit in the Mukti Mandapa in Puri temple.

          Unfortunately Mukunda Deva involved himself in the politics of Bengal, by giving shelter to Ibrahim Sur, the enemy of Sulaiman Kararani the sultan of Bengal, and exchanged embassies with Akbar, who wanted to annex the sultanate of Bengal. However, Akbar did not send any help to Mukunda Deva when he was attacked by the sultan of Bengal. In 1568 the sultan of Gauda attacked Odisha, sending his son Bayazid with the general Sikandar Uzbeg and the famous Kalapahada, who conquered Cuttack, while Mukunda Deva fled to hide in Kotisami (Kotismul). Raghuhanja Chotaraya, then general under Mukunda Deva, took the opportunity to declare himself the King of Odisha, and killed Mukunda Deva, but he was in turn killed by the Muslims. Two other generals of Mukunda Deva’s army, Sikhi and Manai, betrayed the King and showed Kapalahada a path through the jungle so that he could attack the army from the rear.

          Kalapahada’s name is still remembered with fear and horror by the people of Odisha. He was a Hindu of Brahmin caste of the name Kala Chand, who worked for the Bengali sultan Sulaiman Kararani. It is said that the daughter of the sultan, Dulari, fell in love with him and insisted to marry him although he already had two Hindu wives. Kala Chand came to Puri to consult the temple Pandas about his plight and to purify himself from the association with the Muslim sultan. He humbly prostrated himself in front of the priests, but instead of the all-encompassing mercy of Patita Pavana, the Lord of the entire universe, Kala Chand and even his wives received gross insults and rude words, kicks and other physical assaults from the priests. He was banned from entering the temple and having the Darshana of the Lord. Kala Chand had a serious crisis of faith not only about the priests’ mentality and behavior, but also about the cult of Jagannatha and the Vedic religion, that he now saw as a terrible fraud. He had no other option but to turn to Islam. He did it wholeheartedly and revengefully. When he came back to Odisha with the new name of Kalapahada, he was fiercely determined to destroy all the temples and deities of Odisha, and such was his ferocity that his mere name inspired terror into people. The history of the looting and desecration of Jagannatha temple is long, starting from 1510 with Hussein Shah, the sultan of Bengal. During the reign of Purushottama Deva, Jagannatha had to be hidden in the Chilika lake cave four times, two times during the reign of Mukunda Deva (1607-1622), once during the reign of Divyasingha Deva I (1688-1716) and again once during the reign of Ramachandra Deva II (1732-1743). However, the attack of Kalapahada was certainly the most violent. He systematically destroyed temples, chopping off the hands, feet, ears and noses of all deities and figures on the temples. He encouraged the Muslim soldiers to loot the temples.

          The Makhzan-i-Afghana, written in 1612 by Niamat Ullah, says, “every Afghan who took part in the campaign obtained large quantities of gold”. Niamat Ullah also says that Kalapahada also pulled down a deity of Krishna, had it broken into pieces and cast into the gutter.  Seven other gold images of various shapes which weighed five mounds each were also destroyed.” He also adds that many people including women took shelter inside the temple, unable to believe that the temple could be desecrated and occupied, but were captured”. Madala panji says that when the Jagannatha Deities were hidden in the cave in the Chilika lake, Kalapahada found out the place and captured them. Then he put them on an elephant and took them back to Bengal, where he hacked the Deities to pieces and burned them near the river Hoogly. Some consider this an exaggeration, saying that it was more likely that Kalapahada burned the deity of Jagannatha at the sea shore near Kujang (Chilika). It is said that a devotee named Bisara or Besara Mohanty collected the Brahma padartha, hid it into a mridanga drum and brought it back to Odisha at Kujanga Gada, Khurda, where he kept worshiping him with the help of king Narendra Deva. It is said that Bisara Mohanty had followed Kalapahada all the way and that he jumped into the fire to salvage the Nabhi Brahma, emerging unharmed from the flames in front of the astonished Muslims. Then, about 20 years later, in his 9th year of reign, Ramachandra Deva of Khurda had new deities made, retrieved the Brahma padartha from Bisara Mohanty, installed the new Deities, and brought them back to Puri. Niamat Ullah also writes, “Strange still was the fact that those who had carried off the idols as booty suffered from misfortune, affliction and disaster and died within a year”. Ahmad Razi writes in his Haft Iklim, “And believer or non-believer, whoever shows disrespect to the idol meets with instantaneous death”. He mentions one incident witnessed by his own grandfather, Maulana Lutful Ullah of Nishapur, who went to Puri with a number of friends and persuaded the priests to allow them to have a look at the idol on condition that they would not show any disrespect. When the party entered the temple, one of them spat towards the deity and he instantaneously died.

          Mukunda Deva was the last independent king of Odisha, as in 1568 the Karabani Sultans of Bengal incorporated Orissa into their kingdom. The Turks had occupied north India including Bengal and Bihar already in the 1200s, but Odisha somehow succeeded in remaining independent until 1568.

Sunday, February 14, 2016

Sri Alarnath Temple

          Sri Alarnath Temple is a very important temple of Vishnu near Jagannatha Puri (23 km) at Brahmagiri, Odisha. Lord Alarnath is the representative of Lord Jagannatha at Puri. Sri Chaitanya Mahaprabhu stayed at this temple during anavasara, the two-week period after snana-yatra when Lord Jagannatha rests in seclusion before the annual Rathayatra. Lord Chaitanya couldn't bear staying in Puri without seeing His beloved Lord, and at Alarnath he would reveal the highest spiritual emotions, pining in ecstatic separation. While doing the Temple’s parikrama, one can take darshan of the incredible prema-sila (stone slab) of Lord Chaitanya, on the right side of the temple when entering the main gate from the road. This stone slab bears impressions from Lord Chaitanya's body. When Lord Chaitanya first lay in full obeisance before Lord Alarnath, the stone beneath Lord Chaitanya melted from his ecstatic touch.


          Lord Alarnath is an ancient four-handed Vishnu Deity believed to be installed by one of the Alvars. Lord Alarnath’s consorts Sri and Bhudevi also accompany Him. The temple also features small Deities of Sri Krishna’s queens Rukmini and Satyabhama. This temple was built by King Madan Mahadev in 1128 AD. The temple also holds a deity of Lord Chaitanya known as sad-bhuja, or "Six-armed," signifying Lord Chaitanya's identity with both Lord Krishna and Lord Ramachandra. To reach Alarnath, Lord Chaitanya would walk along the beach. The brahmanas from about fifty families take turns serving the Alarnath deities. Each family specializes in one aspect of the deity service, the tradition passing from generation to generation. Some families cook for the deities, while others offer the deities their meals, worship them, decorate them, and so on. The temple owns about sixty acres of land, some used for the deities and some for their servants.



History : 
          Lord Brahma Carves the Deity According to a local tradition, the history of Alarnath goes back millions of years to Satya-yuga. Lord Narayana spoke to Lord Brahma from the sky, describing in detail the form of a deity Brahma should carve and worship. Afterwards, Lord Narayana addressed Brahma, “Because you have worshiped me here, this place will be known as Brahmagiri [Brahma’s hill].” With the passage of time, Brahmagiri became known as Alarnath. The present temple was built about eleven hundred years ago, and the puja was previously performed by South Indian brahmins. Because the pujaris were in the discipline line of the great spiritual teachers known as the Alvars, the deity became known as Alvarnatha (“Lord of the Alvars”), which in time became Alarnath.

Folktale : 
          Once a priest named Sriketana, whose service was to offer prasadam to Lord Alarnath, had to go out to beg provisions for the Lord. He gave his young son Madhu the responsibility for making offerings in his absence after telling him to place Alarnath’s meals before him and pray to the Lord to accept them. When the time came to make the first offering, Madhu brought the food to the Lord and prayed, “O my dear Lord, please accept this offering. I am just a boy and do not know how to offer properly.” Madhu then played with his friends. When he returned, he saw that all the food was still on the plate. “O my Lord,” he said, “why haven’t You eaten? If my father hears of this, he will be angry with me. Please eat.” Madhu left, only to return and find the food still on the plate. With tears in his eyes, he again begged the Lord to eat. When Madhu returned the third time, the Alarnath’s plate was empty. Madhu happily carried the empty plate to his mother.
“Where is the prasadam?” she asked.

“Lord Alarnath ate everything!” Madhu replied.
For three days Madhu and his family fasted because whenever Madhu offered the Lord His meal, He ate everything. When Sriketana returned and heard of the situation, he scolded his son, “What have you done with Lord Alarnath’s prasadam?”
“He ate it, father. I offered it just like you taught me.”

“He cannot eat,” Sriketana replied. “He is just a stone deity.”
Sriketana decided to see what was going on, so he hid behind a pillar while his son made an offering to the Lord. After Madhu had left, Sriketana saw the Lord reach down and pick up a bowl of sweet rice. Sriketana jumped from behind the pillar and caught hold of the Lord’s arm, spilling hot sweet rice on the Lord Alarnath’s body.
“Stop!” Sriketana yelled. “What are You doing? Who ever heard of a Deity eating? If You eat everything, how will we live?”
Lord Alarnath replied, “O materialist in the guise of a priest, I never accept offerings from a faithless person like you, devoid of devotion. I accepted the offerings of Madhu because he offered them with simplicity and love.”

Today, the temple pandas point out several scars on the Lord Alarnath’s body where He was scalded by the sweet rice.

Tulasi Kshetra - Sri Sri Baladev Jew Temple

          Sri Sri Baladev Jew Temple is situated in the small town Ichhapur, in Kendrapara District, Odisha. Lord Balabhadra is the main God of this temple. However Lord Jagannath, Devi Subhadra and Sudarsana are also worshiped here along with Lord Balabhadra in the Ratna Sinhasan in the main temple. Idol of Goddess Tulasi in sitting position is there after the sacred seven steps. The Rath Yatra here is famous for the Brahma Taladhwaja Rath.

Architecture : 
          Construction of Baladev Jew Temple Baladev Jew Temple is constructed over an area of 2 acres of land. There are 2 parts in the total area, in one part, different temples are there and another part is a beautiful garden. There is a big boundary around the temple, which is 14 meters high. There are four main parts of Baladev Jew Temple are Sri Mandir, Natya Mandir, Bhoga Mandap and Mukhashala. The main temple height is 75 feet and width is 40 feet.

          The main temple has a 7 step construction and heavy baulamalia stone are used in this construction. There are other small temples inside the premise, where other Gods and Goddesses are worshiped. All the temples have a beautiful architecture and constructed in traditional way. The other important parts of the temple are Garuda Stambha, Ratna Bhandar, Snana Mandap, Mukti Mandap, Jhulan Gruha.

Baladev Jew Temple

Folktale :
          It is said that after the death of Baladeva, his dead body was transformed into a stone image
which was worshiped by Devatas (Gods) at the door of Patalapuri which is identified with Lalitagiri in Dwapara Yuga. The area extending from the Bay of Bengal in the east, the Lalitagiri and Assia mountain range in the north-west, river Baitarani in the north and river Mahanadi in the south is called the part of Patalapuri (nether world) in the Purana literature.When Kali Yuga appeared
and Buddha Dharma (Buddhism) spread over the area, the Devatas kept the image of Balabhadra in disguise underwater of the river Madhusagar which is now called the river Gobari. After Gopal Siddha Das discovered the image of Balabhadra near Siddha Sarovar, he worshiped him at Kendrapara.

History :
          The present shrine of Siddha Baladeva Jew was constructed during the Maratha rule in Odisha (1761 AD) of Ichhapur (Kendrapara). It was constructed by the king of Kujanga, Raja Gopal Sandha and Zamidar (land lord) of Chhedara killah, Srinivas Narendra Mahapatra. One saint Gopi Das and Sairatak Giri convinced the then Maratha Chief Janoji and constructed the Jagamohan, Bhoga Mandapa of the main temple, temple of Gundicha and compound wall.

          In the 13th century A.D., king Anangabhimadeva-III of Ganga dynasty constructed one temple for the worship of Lord Baladeva near the present Kacheri of old Kendrapara town, which is about 60 hands (28 meter) high for the worship of Lord Baladeva Jew in the heart of Tulasi Kshetra. The original temple was demolished by Khan-i-Dwina (1660-1667 A.D.), the then Subedar of Orissa during the time of Mughal Emperor Aurangazeb. He constructed one mosque on the foundation of the dismantled temple in the year 1663 A.D. Devotees took the deity in disguise in a boat through the river Govari and kept the deity secretly near Baranga (Chhedara) forest. Afterwards it was shifted to Balarampur village near Luna river at Samkhi Bata. So this place is also sacred for Hindus.  The original stone image (Manibigraha) of Lord Balabhadra was found from the Tulasi forest by a cow-herd boy named Gopal Siddha Das. According to his name, the name of the presiding deity Lord Baladeva is Siddha Baladeva Jew. The stone image of Lord Balabhadra and wooden idols of Jagannatha, Subhadra and Sudarsana are worshipped according to the rituals of the temple of Lord Jagannath at Puri.

Car Festival :
          Car Festival of Lord Balabhadra in the Tulasi Kshetra is celebrated on the 2nd day of bright fortnight in the month of Asadha just like the festival of Puri. He moves in a magnificent chariot called 'Taladwaja'. His chariot is 39 feet (12 mts.) in height and 24 feet (7.5 mts.) in diameter having 14 wheels. Two black and two white horses are fitted in front of the chariot. Zamindar of Chhedaragarh used to perform all royal duties of Puja like Chherrah Pamhara etc. but now it is performed by the successors of Zamindar late Radheshyam Narendra of Kendrapara.

Car Festival at Baladev Jew

Thursday, February 11, 2016

Parashurameswara - Oldest Temple in Temple City

          Parashurameswara Temple is one of the oldest existing temples in the state.  It is believed to have been built around 650 CE in Nagara style and has all the main features of the pre-10th century Odia style temples. Parashurameswara Temple was built by the Shailodbhavas, who had Shiva as their family deity. The Shailodbhavas also respected the Shakta deities and depicted Shakta images on the walls of the temple. 


          Enclosed within a compound wall, the deul, facing the West is a square towered, while the jagamohana, instead of being a stepped pyramid, is a rectangular structure with a terraced roof, sloping in two stages. The verandah has projecting mould topped by a recessed frieze, demarcating bada from the gandi, a feature not found in later temples. The frieze has mostly amorous couples, separated by paneled jalis vidalas (a rampant lion, with head swung backwards, springing over a crouching elephant) at corners, a very typical symbol the beleaguered Buddhist faith.

          The jagamohana, adjoining the square towered shrine has an additional doorway on the South and four latticed windows, one each on the North and South and two on the West, the last, decorated with wonderfully animated bands of dancers and musicians. The recurring motif is the highly-ornate chaitya-window, very often filled with animal, human and divine figures, the last including busts of Shiva. The main entrance to jagamohana also has a fine carving of domestic elephants capturing wild ones. Set into the outer walls of the shrine, sculptures are scenes from mythological narratives, forming a repertoire of Saiva myths. At eye level in the middle of tower, a superb four armed Ganesha seated on a simhasana, with his trunk touching a bowl of laddus held in his lower left hand, while his upper left holds a parasu (hatchet); Karttikeya in the Southern niche is with a peacock, holding a spear in his left hand and a fruit in his right; the lintel above this niche illustrates the marriage of Shiva and Parvati; to their right are Agni (fire), the kneeling figure of Brahma and next to Brahma is Surya. 

          The temple contains depictions of Saptamatrikas, namely, Chamunda, Varahi, Indrani, Vaishnavi, Kaumari, Shivani and Brahmi. The temple is dedicated to Shiva, only two of the three original deities survive. The Sahasralingam, in the far corner of the courtyard, decorated with a thousand miniature versions of itself.

Raziya Sultan

          During his last year, Iltutmish was worried over the problem of his succession because he considered none of his surving sons to be worthy of the throne. After a lot consideration, he decided to nominate his daughter Raziya to the throne. In order to assert her claim, Raziya had to contend against her brothers as well as against powerful Turkish nobles, and could rule only for three years. She refused to be addressed as Sultana because it meant "wife or consort of a Sultan". She would answer only to the title "Sultan." Despite of very short, her rule had a number interesting features. It marked the beginning of struggle for power between the monarchy and Turkish chiefs. Iltutmish had shown great deference to these Turkish chiefs. After his death, these chiefs drunk with power and arrogance, wanted to install a puppet on the throne, whom they could control. They soon discovered, the tough woman Raziya is not ready to play their game. She discarded the female apparel and started holding the court with her face unveiled. She even hunted and led the army in war. Iltutmish's wazir, Nizam-ul-Mulk Junaidi, who had opposed her elevation to the throne, and backed a rebellion against her, was defeated and forced to flee. She sent an expedition against Ranthambhor to control the Rajputs and successfully established law and order in her kingdom. But her attempt to create a party of nobles loyal to her and to raise a non-Turk to high office led to opposition. The Turkish nobles accused of her violating feminine modesty and being too friendly to Abyssinian noble, Yaqut Khan. Rebellions broke in Lahore and Sirhind, Raziya personally led an expedition to Lahore and compelled the governor to submit. On the way to Sirhind, an internal rebellion broke out in which Yaqut Khan was killed and Raziya imprisioned t Tabarhinda. However she own over her captor, Altunia, and after marrying him made a renewed attempt on Delhi. Raziya faught valiantly, but she was defeated and killed in a forest by bandits while she was in flight.

Bahamani Kingdom during Firuz Shah

          The most remarkable figure in the Bahamani kingdom during the period was Firuz Shah Bahamani (1397-1422). He was well versed with religious sciences, very fond of natural sciences such as botany, gemetry, logic etc. He was a good calligraphist, poet and versed not only in Arabian, Persian and Turkish but also in Telugu, Kannada and Marathi. He had a large number of wives in his haram from various countries and regions, including many Hindu. He used to converse with each of them with their own language. 

          Firuz Shah was determined to make Deccan the cultural center of India. The decline of Delhi sultanat helped him as many people migrated from Delhi to Deccan. He also encouraged learned men from Iran and Iraq. He used to say that king should draw around them the learned person of all nations, so that from their society they might get information. He generally spent his time till midnight in the company of divines, poets, reciters of history and the most learned among his courtiers. His only weakness was his love for drinking wine and listening to music. The most remarkable step taken by Firuz Shah Bahamani was the induction of Hindus on a large scale in the administration. It is said that from his time, the Deccani Brahmans became dominant in administration particularly in revenue. He also encourage pursuit of astronomy and and build an observatory near Daulatabad. He paid special attention to the ports of his kingdom, Chaul and Dabhol, which attracted trading ships from Persian Gulf and the Red sea, and brought luxury goods from all parts of the world.

          Firuz Shah started bahamani expansion towards Berar defeating the Gond raja, Narsingh Rai of Kherla. The defeated king made a present of 40 elephatns, 5 maunds of gold and 50 maunds of silver. A daughter of raja Rai also married to Firuz Shah. In 1419, the Bahamani kingdom received a setback when Firuz Shah Bahamani was defeated by Deva Raya 1. This defeat weakened the position of him and compelled to abdicate in favor of his brother Ahmed Shah 1. Ahmed Shah continued the struggle for the domination of the eastern seaboard in south India.

Girnar - The Sacred Mountains of the Jains

          Gujarat has more Jains than any other state of India. Jains are the followers of the religion instituted by Mahavira in the 6th century B.C. One of the most ancient settlements is located at Mount Girnar (Revatak Parvat) where Jainist caves and temples stand on 3630 foot high spread over 5 summits. The site contains Hindu temples but not inside the Deva Kota. It has 16 Jain temples. The most important of this is the Temple of Neminath which contains black stone image encrusted with gems of the 22nd Tirthankara. The temple was built in 1159 within an enclosure onto which 70 cells face. It has two mandapas with domed ceilings and a grabha-griha surrounded by the pradaskhinapatha with pillars made from white marble.


          The temple of Tejahpala and Vastupala, two pious ministers during the Solanki dynasty that built the temple in 1230, is composed of a large mandapa onto which three cells open: the eastern cell is dedicated to Mallinatha, the 19th Tirthankara; the southern cell is dedicated to the holy Jain mountain Parasnatha, while the northern cell is dedicated to the mythical mount Meru on a square plinth. Outside the enclosing walls and almost at the top of the mountain stands the Temple of Amba Devi.

          The most famous holy city in the Jain world is Palitana, a symbol of ascetics and  a destination for pilgrims. Palitana includes 800 temples and 7000 images on the sacred hill of Satrunjaya. The temples are spread over two hilltops inside eleven solid defensive walls. Mostly constructed during 9th-10th century, then destroyed by Moslems and rebuilt in 15th century. Surprisingly, within the perimeter walls, there is a tomb of Moslem holy man, who is said to be protected the site. The typical structure of the temples at Palitana includes an enclosing wall in which the chapels of Tirthankaras are built. The typical temple will have an ardhamandapa with festooned arches, highly decorated  mandapa with a magnificent ceilings and a garbha-griha topped with a shikhara and angashikhara. Another typical feature of Palitana which is rare in India is the two or more story temple with a chaturmukha cell. The Chaumukh temple of Adinatha, built in 1618 with a cell open on four sides facing the four cardinal points is based on this plan. The cell is connected to the mandapa on the eastern side and holds a statue of the 1st Tirthankara, Adinatha whose four faces turned towards all religions of the universe. The principal temple on the site is that of Adishvara. It is made from arsa (the local marble), is also dedicated to 1st Tirthankara. It was originally build in 960, but rebuilt in 1530 after destroyed by Moslems. The two story temple is enclosed by a wall containing chapels. Recent constructions include intricate marquetry on window screens or mandapa walls, floor mosaics, floral decorations, statues reveal the genius and faith of local artists. The white marble statutes of the Tirthankara, especially their wide open eyes are made from glass paste with silver pupils to give the prophets the crystal transparency of the enlightened.